For the 5th time Fiber Art comes back in Venice with an exhibition from June 19th to August 29th at Palazzo Mocenigo. There will be exhibited the 54 mini textile artworks and the big installations of Takushi Aono, Shihoko Fukumoto, Sumiko Tasaka, Kyoko Tsujita, Makiko Wakisaka and Elisa Nicolaci. Fiber art is a style of fine art which uses textiles such as fabric, yarn, and natural and synthetic fibers.
From May 22nd to June 30th Querini Stampalia Foundation hosts some
unknown drawings by architect Carlo Scarpa, an important document of his
work.
Every year more than 120 regattas are organized in the lagoon of Venice.
The most important is Historical Regatta, contested in the
characteristic style called voga alla veneta (Venetian-style rowing),
which takes place on the first Sunday in September and attracts many
spectators, both venetians and tourists.
With this exhibition Fondazione Emilio e Annabianca Vedova inaugurates a
new exhibition space, Emilio Vedova’s Studio, in Zattere. The ancient
artist former studio, restored under the supervision of Renzo Piano and
to a design by the Atelier Traldi, with the coordination and direction
of the engineer Maurizio Milan, will house form June 5th to September
19th works representing an unknown aspect of Vedova’s art: sculpture.
Fondazione Emilio e Annabianca Vedova presents from June 5th to
September 19th a surprising and original exhibition dedicated to the
unknown works of the sculptor of French origin, but of American
nationality, Louise Bourgeois.
The 7th International Festival of Contemporary Dance, Capturing
Emotions, will be held from 26 May to 12 June in Venice. The ingredients
of the festival are: 36 performances, 5 world premieres, 7 European and
8 Italian premieres, 20 choreographers, 16 companies, an “off”
section dedicated to innovative works, a choreography workshop
and meetings with protagonists of international dance.
Special Offers!
Dinner with view in a very exclusive location? Yes you can! Venice is not famous only for its history, culture and gondolas.
